Self-Portrait, Yawning, by 1783

Joseph Ducreux (French, 1735 - 1802)

Self-Portrait, Yawning, by 1783

Joseph Ducreux's "Self-Portrait, Yawning," crafted by 1783, stands as a delightful anomaly within the realm of self-portraiture, breaking free from the traditional, solemn depictions often associated with the genre. With a bold sense of humor and a touch of irreverence, Ducreux presents himself mid-yawn, capturing a moment of unguarded humanity with an almost theatrical exaggeration. Dressed not in the formal attire of the time but in a relaxed ensemble featuring a turban and a vivid red jacket, he stretches an arm toward us, inviting us into this private, unpolished moment. His face, distorted by the yawn, and his body language—a blend of relaxation and stretching—convey a sense of movement and immediacy that's rarely seen in portraiture of his era.

Ducreux's interest in physiognomy, the study of facial expressions as a window to the soul, drove him to explore a range of emotions and expressions, often using his own face as the subject. This self-portrait, along with his other works, serves not only as an exploration of human expression but also as a playful challenge to the conventions of his time. While some contemporary critics praised the painting for its vibrancy and expressiveness, later observers have noted the repetitive nature of Ducreux's self-focused subjects. Yet, it's this very repetition that underscores his commitment to studying the nuances of expression and emotion.

"Self-Portrait, Yawning" is more than just a depiction of a fleeting moment; it's a statement about the artist's willingness to embrace and present the full spectrum of human experience, breaking the mold of traditional portraiture. Ducreux's work invites viewers to reconsider the boundaries of art and the ways in which we portray ourselves, making this piece a fascinating study of both the artist's skill and his personality.

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